Gershwin's song 'I Got Rhythm' serves here as a backdrop representing the social context of the inter-war years. On center stage is a particular aspect of the history of birth control--the application of a new theory of ovulation to contraception. Starting in 1928, a series of experiments revealed a biochemical rhythm in the female reproductive cycle, which contradicted the widespread idea that ovulation and pregnancy could occur at any time. This discovery was applied to a new contraceptive method, the rhythm method, which enjoyed significant popularity during the 1930s, especially among Catholics. For a short period, women could join Ethel Merman in the refrain 'I got rhythm, I got my man, who could ask for anything more?' But the rhythm method has not lived to its promise, and the play goes on em leader